Author: wgofiber

WeGO Scholarship Winners for 2020

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Winning guilds will receive $500 each, to put towards their fiber education program for 2021. (Extended into 2021 for completion due to COVID) Congratulations !

Eugene Weavers Guild

Gorge Handweavers Guild. 

Clatsop Weavers & Spinners Guild

Rogue Valley Handweavers Guild

Orenburg Lace Workshop – Aurora Colony Handspinner’s Guild

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The Aurora Colony Handspinner’s Guild would like to thank WeGO for a 2018 scholarship.

Our guild was able to have Galina Khmelva teach five classes over 3 days on Orenburg lace.

The funds were used to offset the cost allowing members to take half day classes for $30 and a full day class for $60.  24 students took 84 classes.  The classes were:

Spinning the Orenburg Way

Plying Orenburg-Style

The Fundamentals of Orenburg Knitted Lace

Dimensional Stitches Russian/Estonian Style

The Perfect Edge – Knitted Lace Embellishments

Some of the techniques were a stretch but everyone enjoyed the classes and the guild president said, “She even made the Russian History lessons fun and engaging.”

Thank you to WeGO for helping us to put on this great event.

Sincerely,

Carrie Rohn

Aurora Colony Handspinner’s Guild Rep

 

Beginning Weaving Workshop – Threadbenders Guild

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Threadbenders Guild of Union and Baker Counties in Eastern Oregon wish to thank WeGO for the $200 educational grant we were awarded.

The funds were used as part of the payment for the instructor for a Beginning Weaving Workshop held October 12-13-14 at the Baker County Library, which generously provided the use of their meeting room and video setup free of charge.

We had ten participants, the maximum for the class. A few were brand new weavers, others had woven 20 – 30 years ago, but wanted a refresher before getting started again, and a few were active weavers who were self-taught and now wished to find out how an expert approaches things.

The instructor was Vila Cox from Boise – http://warpedandwonderful.com – who had a great program prepared and was quite open to questions, so the class became interactive.  After introduction to the subject, Vila started by demonstrating the use of a warping board, then handed out pre-wound warps, so too much class time was not used on that part.  The rest of the time alternated between discussion of the next step in warping and then doing it: figuring set; how to slay various sizes of reeds; reading a draft and threading heddles accordingly; tying and winding on to the back beam; tying on to the front and spreading the warp with a header – then finding and fixing errors, almost the most important part, the comment empowerment was heard!  Sunday was used to start weaving a twill gamp that could be finished at home.

The workshop was fun with lots of learning and cooperation.  Everybody was tired, but had very positive comments when packing up to leave Sunday afternoon.

All in all a great success leading to an enriched guild.

Spinning for Color’s Sake – Judith MacKenzie – Workshop

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Central Oregon Spinners & Weavers Guild & Klamath Falls Spinners & Weavers Guild – Combined Guild Workshop

September 5, 2018

To begin the workshop “Spinning for Color’s Sake”, Judith showed us many ancient dolls and bead whorls (for spindles) from her private collection. She explained how each doll was constructed and we marveled over the workmanship of both the dolls and spindle whorls.

Well inspired, we chose colored top from a large selection of colors and started to spin our first yarn- marled yarn. By holding two or more colors of yarn together, we could achieve dimensional color effects that were surprising and interesting.

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For our next yarn experiment, we chose several colors to blend using combs. I chose to spin the top that I blended on the combs in a worsted style. I then took the comb waste from blending, carded it and spun a woolen yarn. Each was unique!

Next, we talked about shades, tints and tones of colors. We used hand cards to blend a chosen color with black, white and gray. Then we spun the color by itself and shade, tint and tone of the color.

Finally, we explored tweed yarns. Judith provided odds and ends of fiber, thrums and bits of old yarn. We were able to use garneting boards to blend in these bits with top to create completely individual yarns.

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I have taken several classes with Judith MacKenzie and this was one of the most intimate and engaging ones in my experience. The setting was wonderful and the fact that lunch was provided and unhurried made for a great progression of the day. I would like to thank ANWG for the generous grant to the guilds so that this class was so affordable.

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Stephani Sexton

 

 

Color to Dye For with Judith Mackenzie -Workshop

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By Carolee Kirkelie, Central Oregon Spinners & Weavers Guild

September 6, 2018

A day spent with Judith Mackenzie is a day to be treasured. The consummate fiber artist exudes warmth and knowledge while captivating her students at every word. Judith’s work can be found in her extensive books and DVDs; however the in-person, up front Judith is even more amazing! Our day was a focus on weak acid super milling dye, primarily for both color fastness and economic benefits.

We began by soaking our yarn and roving with a surfactant, Dawn dishwashing liquid, to ensure oils and dirt are removed and the dye will be taken up fully without resistance. Dawn Free and Clear was suggested, and a reminder to never dye in the grease.

Our palette begins with the classic three colors of yellow, magenta and cyan. There was also a black or neutral color to change tone; just as in watercolor painting, the principles are interdisciplinary for mixing an extended palette of secondary colors. Our process starts simply with a quart canning jar two thirds filled with cold water and a glug of white vinegar. We each will have a jar of our own color choice and mix efforts.  Judith emphasizes the high tech measuring of ingredients; a pre-moistened chopstick tapped into dye powder is her instrument of choice. Precision is everything! Mix ratio to target is ~4 grams/saturated 1 lb. of fiber. Her process, a wet chopstick in hand, could probably not be more accurate. Again the pragmatic and ever simple approach is not lost on her students.

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Once the water, vinegar and dye powder is mixed to that perfect color, we then place our yarn into the jar; the goal is to have a full jar of liquid with yarn fully immersed. Then put the lid and ring on, while placing the jar into a Ball electric water bath canner. With canner lid in place and temperature set to medium the jars of wool will come up to heat and maintain temperature for approximately 45 mins. One can of course use a more conventional canner approach on the burner; however the electric bath canner comes up to speed rapidly, is a very safe and efficient process to follow.

We experimented with both undyed and previously dyed yarn or fleece that was brown. It was fascinating to see the opportunities to over dye whether unplanned or by design, it increases possibilities for mono color or multi-color spun yarn to make changes.  So do you have some ugly yarn? Change it by overdyeing!

The remaining time together was spent exploring indigo, Instant Indigo otherwise known as freeze dried indigo, and learning all the ins and outs with a practical approach to mixing. We also explored a black walnut dye bath as well as the how-to for lichen and cochineal.

All along the way Judith imparts her worldly learnings, insight and humor. She’s quick witted and doesn’t miss a beat as questions run the gambit of all things wool, protein, amino acids, plant fiber, origins and end uses. You swiftly realize that Judith has gone there…like trying to grow nettle, which requires a picky soil and location preference that did not allow it to be transplanted keeping its use to that where it’s found. Nettle you see made the strongest woven nets for fishing.  Judith MacKenzie the teacher of old and new world ways for dyeing, antidotes for fiber and life, a rich and mind expanding experience should not be missed.

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